所有你能是一个向我妈妈,珍妮Drewsen。天才的地方打了她进入耶鲁大学法学院同学成为总统和最高法院大法官,她是最终的女权主义者,一个冠军的年轻人克服困难达到自己的梦想,并且我所认识的最慷慨的人。她也是最顽固的、独立的。当爸爸了我九岁的时候,我妈妈是贫穷的。离开私人法律部门提高她的女儿,开始一个小文学机构,她发现它几乎不可能重返劳动力。她终于找到了一个临时秘书的工作,当她纠正了一些法律工作一天,他们问她,“你怎么知道?”She replied, "I went to Yale Law School!" That day she got herself a full time job as a lawyer again, and has worked like a dog ever since to give me the best life she could, and champion whatever dream I chose. The dream I chose was to be an artist in the theater. I attended Vanderbilt University, got a scholarship to the MFA Acting Program at NYU, and graduated into the worst recession in generations. Through it all, as I auditioned, wrote and hustled, she never let me worry about her, even as her health deteriorated. It was just us, and she never wanted me to worry. Every few months as a matter of checking in, she would quiz me on where to find her tax information, what end of life preparations to take, what music to play at her memorial. This went on for years. It broke my heart, and filled me with eternal gratitude. This script, almost everything I write, is in honor of her.

自2009年以来我一直在一个专业艺术家,但采取了不同的道路。今年,2019年,女权主义恐怖短片我编剧和导演,3天,已被接受到7节,在旧金山独立电影节上首映。从2017年到2018年我是一个艺术家在时代华纳的第一OneFifty新说书人的主动性,发展原创作品。2015年,果园分发我的处女作电影编剧/导演,移动,一个实验性的黑色喜剧拍摄完全在一个86分钟,完全依靠Kickstarter资助。同时,我作为一个演员出现在我死在这里,好妻子,科尔伯特报告,感兴趣的人,许多独立电影包括fully-improvised独立亲爱的特性周末,我仍然很长一段时间表现在公民旅剧院正直的人。我电影的一员、洛杉矶,联盟的女性董事和女性电影,是纽约大学毕业表演校友会的董事会成员,并在52街是一个长期的志愿者项目和内城艺术。我准备在这个行业,我只缺乏代表性和下一阶段的机会。